But you don’t approach a cabinet of wonders with an inventory in hand. You open drawers at random. You smudge the glass jar in which the two-headed piglet sleeps. You filch one of Tom Thumb’s calling cards. You read page two of a letter; one and three are missing, and you leave off in the middle of a sentence.
As a matter of fact, I am making a replica of this text: a huge wooden chest in the shape of my body, with innumerable drawers in which I will store my findings. Some of the drawers will be large and c a p a c i o u s, some smaller than matchboxes. Some will be disguised, some will be booby-trapped. I will hide secret buttons, levers and locks in my carved folds and crevices. You will have to feel your way in.